Scorched Floral Firescreen 23.09 - 25.09.22 // Strawberry Hill Flower Festival

An annual festival curated by Leigh Chappell and Janne Ford showcasing the very best of British grown flowers and sustainable flower arranging techniques in partnership with Flowers from the Farm. 

Scorched Floral Firescreen was created as a response to the extreme heat of Summer 2022. Although clearly not a functional design, the materials it contains have been well and truly tested. It is made with dried grasses and flowers from Flowers from the Farm growers Char Johnston and dried dahlias from Philippa Stewart.

For more information please visit: Strawberry Hill Flower Festival

Dried Tablescape Demonstration with Flowers from the Farm 09.07.22 // RHS Hampton Court Palace Garden Show

Delighted to be asked by Flowers from the Farm - a supportive network of British Flower growers and florists wishing to work with seasonal flowers and sustainable practices - to give a demonstration at their RHS Flower School at the RHS Hampton Court Palace and Garden Show.

All flowers used in the school were to be grown no further than a thirty mile radius away and I was partnered up with Claire at Plant Passion; a Flower Farm just outside of Guildford.

A couple of days before the show, knowing that I wanted to work with flowers which would for the most part be dried or dry out I went to visit her field and make a selection. I was immediately drawn to everything that you cannot find at the market and that was in a dried and drying out stage quite naturally in the field. This included a huge selection of grasses, dock, phacelia, honesty as well as these jumbo helichrysum.

On the demonstration day it was a delight to see the flowers all conditioned and cut by Claire that morning.

Here I am, in a pose akin to traffic control demonstrating a dried tablescape which can be left to dry out and sit as an everlasting artwork. The work can be viewed from all sides and also from the top. It would suit a low lying table or being put somewhere it would not be disturbed and must be out of wind as it is a piece which is balanced.

To construct this I worked with two re-purposed boiler tops, fashioned into bowls by Rye artist Peter Edwards. Dried and curling climbing hydrangea whirls were then balnaced within them. These provide movement in the piece and extra stability between the two bowls, which have very small bases. Two loose hand tied bouquets were then balanced in the bowls and other light flowers, limonium and grasses added in to soften the shape. Within these structures there is also space for jars with floral pins in to support small fresh pockets of flowers which can change more immediately with what is outside. The piece was then completed with a dried allium garland and the start of a fresh achillea chain. All the colours over time would fade but I hoped that the garlands could bring in further movement to work in and through the arrangement and shape of the whirls.

Underneath is a picture of Claire demonstrating how to make a button hole and the Flowers from the farm team, all of whom it was a pleasure to meet and work with.